A couple of hours back, I was
reminded as to why I, and actually most of the people I know, are hesitant to
watch Filipino movies.
It’s damn frustrating.
And considering that I am a
person who usually is easily pleased with generally everything, woah, that’s a
mouthful.
(And the tedious writer that I am
feels the need to put the whole evening into retrospect. Sorry.)
I went out last night with my
choirmates. Sort of a Reunion/Christmas party thing. We usually do not go out
on such occasions (we prefer to “go wild” in some house and do stuff probably
embarrassing enough to get us in jail, thus… Kidding), but no place was
available, so, we had to find something else to do. Sort of by default, we went
to Eastwood.
Meann did well as a coordinator.
Hehe. (Sorry if we stressed you out dear). There were finally seven of us who
could make it because the others, well, had other “engagements”. We left just
before 9 (7, originally). We had to wait for Baby who came from Ortigas and for
a while, worried if we could fit in Joseph’s car because Pay fell asleep (a
serious, panic worthy matter, really when that happens, at least for me).
The evening was generally great.
We bought tickets to see the last full show of Enteng Kabisote 3 just before going
to Fazoli’s. We had more or less 2 hours to kill over dinner, which we were
pretty much very good at. We hardly even noticed the time, which usually
happens when you haven’t spent time with people you used to hang out a lot
with. Fine, I generally felt old (well, I wasn’t the oldest there (ahem) but I
still had that usual they-used-to-be-just-kids feeling) but first, that’s life,
and second, if rubbing-in-my-age issues mean I get to spend time with them, so
be it.
2240. We headed to the cinemas.
For the record, I didn’t feel
good about the movie to start with but since some of us had seen Kasal, Kasali,
Kasalo (did I get the title right? How embarrassing. To think I’ve seen this, which
is also embarrassing to admit, fine, but well. I did. Haha. In fairness, it was
a good watch. Way better than this one at least) and Shake Rattle and Roll, we
had to choose between Mano Po and the, well, the other one.
And Bad Luck prevailed.
My god. I seriously felt insulted
by it.
It was slapstick, but I’ve seen
better!!
The effects were medieval. The
props couldn’t probably even fool my nephew. The ribcage? The one which
magically transforms into an all-bone creature which, I dunno how
(aerodynamics, anyone?), flies. What the?
Where have you seen bones which depress upon pressure? I saw that.
The plot was, um… either too
complicated to make something out of or it was just… not there. You pick. I
personally choose to believe the latter. With the subplots and the character
overload, it’s as good as that anyway.
The actors were either dull,
predictable, or embarrassingly pathetic.
Oh my, where do I even begin?
Vic Sotto, god, he’s so stuck in
his era. Same lines, same everything! I felt really bad for the guy who failed
to mature in his field and he’s what? How old? He’s been doing that ever since
I was sucking ovaltine from my milk bottle in preschool! Too bad because I
liked him most among the, what were they called again? Three Stooges? Nah. Those
guys were funnier.
I never was a Kristine Hermosa
fan so, well, what can I say? She was more of a “backdrop” in the film. Unnoticeable.
Almost irrelevant. Except, ofcourse, Vic Sotto has got have a wife, the “fairy”
in the original sitcom blah blah, so, fine, bring her in. And why her, by the
way? Isn’t she younger than Aissa Seguerra who plays her daughter? And Oyo Boy
who plays her son and who probably made moves on her off set (or even on,
fine). Ew. Oedipus Complex on screen? At the end of the movie, they showed the
bloopers (trying to make up for your 2 hours at the last minute)… Notice a
scene wherein Oyo Boy forgot his lines I think while looking at Kristine
differently. Ha! Gotcha!
The kids. They were the best so
far in the cast. No kidding… Oyo Boy was the feeling-gwapo-but-so-not son who
flirted with just about any girl who was within reach. Aissa was the lesbian
daughter (emphasized by Vic himself in the movie so don’t judge me) who wanted
to go to Japan to pursue her dreams as a musician but her dad won’t let her…
zzzz. Then there was the youngest girl, who, following her mom was actually
nothing short of noteworthy, but she did the I’m-so-cute-I’m-annoying role so
well that I had to give it to her. Grabe. Their roles were perfect! So…. Them…
Hmmmm.
G Toengi, and Bing Loyzaga. Great
costumes. Great make up. Um… Yeah. Pretty much, that’s it. And oh! Nobody does
the “hummmmmmmmmmm” better than the original. Sorry G. It wasn’t at all
intimidating. I don’t know how to put it exactly but it was, um, off.
As for the “co stars”, there were
too many of them. I never imagined that a film may one day be able to put in,
not necessarily in coherence, all the “what the” characters one has ever seen, heard of, or even imagined
but yep, this one did (what? You thought that putting in Star Wars, Harry
Potter, LOTR and what not would make up for it? sheesh. Not with the way you
did, it won’t).
Noteworthy among the not-leads,
however, were the, what were they? Women Snakes? Not only were they annoying in their slithers
and cheap body paint and belly dance (?) moves, they generally embarrassed me
to the point of speechless. Amazing. How could they have accepted those roles? Seriously.
Why?! And fine, maybe they were just doing their job. Maybe they badly need it.
Maybe they were just really good actresses following orders based on the
director’s standards and the scriptwriter’s (Good for you dears. You will do
well in the industry. Try lionesses next time). Fine. So let’s kill the
director and the scriptwriter. Seriously.
And what is up with the
endorsements?! Why?! What do they think are they doing? I was seriously pitying
the Philippine Movie Industry at one point. They’re THAT desperate? Okay. You
need money to fund your film, fine. But could you perhaps do the promotions
discretely? Try not to ruin further the already ruined film? How selfish could
those consumer companies get? And how stupid could the producers be to allow
that? And if they think it was anything close to funny or amusing, it is so
not! It was so off! So low. Nakakainis!!!!
And there goes the frustration.
(And the sarcasm, and the bitterness
against the world, which are part of my resolution list… But one, it’s the 30th
so technically, I don’t have to do my list yet, and two, you would get this
insanely infuriated too if you’ve seen the movie yourself!)
In fairness to the movie, it
affected me in ways that no other movie has done. Not even Dawn of the Dead and
that movie by Jennilyn Mercado and whatshisname (Haidee, do you remember his
name? haha) have drawn from me the same rage as I have for this one. (For one
thing, this has probably been the longest movie ranting I’ve done. It was
bottled up inside after the movie. There was dead silence in the car on the way
home)
The most frustrating part about
this, I guess is the fact that its an entry to the Metro Manila Film Festival,
for crying out loud. Isn’t that supposed to showcase the best? And this is what
we show people? Damn.
Fine. The times are tough. Producers
have to squeeze in full blown films in their small budgets to render
entertainment to people. But quality films need not be (that) expensive. We may
not have the money but I know Filipinos have talent. Maabilidad. Find people
who could make the best out of the little that you have. What you can’t do for
effects, for props, try making up for with a more sensible plot, better
scripts, more talented actors. Squeezing in endorsements in the movie is definitely
not they way
Fine. Majority of the Filipinos
prefer these types of movies, fantasy-comedy, they’re loyal fans of the actors,
etc. And what? You insult their intellect and give them this, claim your work
is box office worthy, when you know you could have done better but did not
because the people are going to “buy” it anyway? In the first place, you think
they prefer these sorts of movies because its worth watching? I say they watch
them because that’s what’s in theaters. It’s a cycle of subquality film making
and buying. Stop it.
And don’t give me the colonial
mentality argument. That’s so highschool. Grow up. Movies need not be in English
to be good. A couple of films have proven that. Go ask them how.
So I just tired myself out, not
for school, but for the benefit of my peace of mind. Good.
I didn’t mean to be mean nor
nasty (although it seemed that way, I know), mind you. I’m not the type. But I just
had to let this out. And I couldn’t get myself to be nice and twinkly about it.
I wish I could at this point, but I just can’t.
I’m frustrated and sad. Tired
mostly (the movie, and ranting about it, was mentally draining).
Basically, I just wish things get
better from here, and I mean noticeably better, and not simply because the
producers and the actors claim them to be because usually, they’re not and
ofcourse, they would never tell you the truth otherwise.
So anyway. So much for my last
few days out of school and for the last few days of MMFF.
Has anyone seen the other films?
I sure hope they’re good enough to redeem their, um, competitors.
I’m going back to sleep.
<<<To Meann, Joseph,
Mer, Baby, Jhe, and Pay: still had fun guys.
and I’d gladly spend another
100+ bucks for a stupid movie with you guys, anytime. But lets just find a
place to watch dvd’s na lang next time, ha? Or hanap tayong ibang movie, ha? Hehe.
>>
Happy New Year!